We strive for a life with six hours of work per four days a week
In The Limits of Work, journalist Saša Uhlová used hidden camera to find out some of the ugly truths of work.
In The Limits of Work, journalist Saša Uhlová used hidden camera to find out some of the ugly truths of work.
“I consider Sinfonietta Rīga as one of the best, if not the best, chamber orchestras in the Baltic region”, says Estonian conductor Erki Pehk.
“This is something like an open world simulation game where the movements of the audience – or more like participants – influence the story.” Interview with Ambrus Ivanyos about how to disappear completely…
“The work of Ex Nihilo starts with observation, rereading an intact space, listening to our intuitions, emotions, one or the other idea, moment, feeling.” An interview with Anne Le Batard.
“Although my stones can’t replace gravestones, people still can visit them” – Gunter Demnig recalls how the Stolpersteine became his essential life work.
“Living in the same village doesn’t mean us to hang out together around the clock. Rehearsing gives us good vibes, can’t be put into words how it feels to resonate, crying, grieving, laughing together, engulfed with sympathy comforting each other.” Renáta Báder and Fruzsina Háda speak about Live long, Regina!, an improvisational docudrama by the group SajátSzínház.
It’s not like a poem reciting event with background projection and music. For me, all these forms are equal and juxtaposed, I’m creating a “living text body” from their mixture. – Kinga Tóth is preparing for her performance show in the Trafó.
The International Choral Celebration, held in Budapest from May 18 to 21, shows the most beautiful and engaging face of choral music.
“I have a recurring dream where I’m roaming around in a house. I always discover new rooms, but somehow I am already aware of them before going in for the first time…” – Choreographer Andrea Mészöly reveals how the dream became a dance show on stage.
“Vibrato is like a disease. Leopold Mozart, who published his violin method in 1766, wrote that some players use it all the time, and their hand shakes as though they had fever.” BSF Magazine’s interview with Sir Roger Norrington.
“I want to show a character who is going through really difficult trials but tries to find the beauty in the chaos. It’s always better than giving up.”
Now you can read Ivanka Mogilska’s secrets, behind the glistering scenes: where, when, how and with whom did she write Sudden Streets?
How come that someone who used to rule and utilise the light suddenly experiences enlightenment and lets his previous life goals go? This is what I asked the novel’s writer about…
“One cannot work as a teacher if he doesn’t believe that everyone of the pupils are good and important and they should be given all possibilities to live a good life. Maybe it’s the same with writing: there aren’t good or bad characters.”
It´s an eternal debate these days who are the “real” refugees. Only those who flee from the war, or also those who live in extreme poverty?
Winston Groom worked as a journalist, served in Vietnam, and as a writer he won several awards and published more than twenty books – among them, Forrest Gump…
If you’re going to teach students to make something all themselves then you can’t teach something from 1960 all the time…
“Since a cappella was close to our hearts it only made sense for us to go down that path…”
By continuing to use the site, you agree to the use of cookies. more information
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.