What made diamonds to be seen as a symbol of love?
Touching on the questions of the superficially constructed female values, Marge Monko examines the storytelling powers of commercialism’s impacts.
Touching on the questions of the superficially constructed female values, Marge Monko examines the storytelling powers of commercialism’s impacts.
Nowadays these quarters offer the cheapest labour to the construction industry and other dangerous work. These workers have no insurance, no contract, and no any kind of welfare-service. They receive their daily payment in cash.
Why were we able to accept people like Giovanna 7,5 decades ago, and why do we have deep aversion, fear and worries toward the African refugees?
The attack against the government quarter could have been prevented and the help to save people on Utoya Island was seriously late.
An incredible lady who mixes the experiences of eight decades with a cultural heritage of several centuries.
“I want to show a character who is going through really difficult trials but tries to find the beauty in the chaos. It’s always better than giving up.”
Now you can read Ivanka Mogilska’s secrets, behind the glistering scenes: where, when, how and with whom did she write Sudden Streets?
How come that someone who used to rule and utilise the light suddenly experiences enlightenment and lets his previous life goals go? This is what I asked the novel’s writer about…
Najeeb and Vivian escape to self-education and Qayyum to the Indian independence movement, all turning against a system ruled by white men… – A review of “A God in Every Stone” by Kamila Shamsie.
“One cannot work as a teacher if he doesn’t believe that everyone of the pupils are good and important and they should be given all possibilities to live a good life. Maybe it’s the same with writing: there aren’t good or bad characters.”
It´s an eternal debate these days who are the “real” refugees. Only those who flee from the war, or also those who live in extreme poverty?
Winston Groom worked as a journalist, served in Vietnam, and as a writer he won several awards and published more than twenty books – among them, Forrest Gump…
Katalin Ferber’s review on ‘Genesis’, the only new Hungarian film represented at this year’s Berlinale.
We asked Attila about his connection to the gallery, and if there is an inside story of the picture “Tranziensek”?
A powerful drama on bullying among youngsters and adults – and on a rigid and merciless conduct of norms and unwritten rules.
If you’re going to teach students to make something all themselves then you can’t teach something from 1960 all the time…
“Since a cappella was close to our hearts it only made sense for us to go down that path…”
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