“We do what we can to keep making music, but there won’t be any tours for a while” – band leader says. This brings them to the Müpa drive-in cinema soon…
My realist self says that with precautions, concerts can be held in autumn – says Lóránt Csorba, frontman of the band Lóci játszik, about post-covid gigs.
Even after 40 years on stage, János Kovács still has his doubts before every concert. Now he has to prove his talent in a pretty extraordinary setting…
I consider it a continuous process and with Girls in particular there has been a sense of great discovery over the past year – Roy Assaf recalls.
There are four instruments in Bach’s work: flute, cello, bass clarinet and violin, and each is represented by a human body. ‘Opus’, performed in the Trafó.
These poets are still quoted because they talk about the moral roots of humanity – says Alireza Ghorbani who will sing a bunch of their poems soon.
A wonderful concert that features festive and Christmas-related works by Bach. Two ensembles, five soloists – and their conductor, Marcus Creed.
For beginners in the world of classical music, this is a good place to start – says international student Tuva Stranger on the Classical Chill Out concerts.
In the first twenty years of my career, playing maloya was something to fight for, not to live from – says Danyel Waro, the “proud bastard” of Réunion.
He created an own universe, went on his own path, and after his poetry arrived to collective consciousness, no one could think the same old ways anymore.
Innovative spirit, rediscovery of forgotten pieces, playing at unusual places, contributing to Polish-Hungarian siblinghood: this is the Erdődy Orchestra.
It will work out very well in Trafó to awake feelings with the mere method of looking at people – says Alexander Vantournhout.
Rumi always returns us to the quiet, reflective state of Khamush in the final strophe – this is to allow ’the giver of speech to speak’.
Characters stay the same, but we put them in contemporary situations. Swirling and flowing emotions will be easy to understand and feel.
I’m playing the piece with recordings doing one part and me the other. I’m alone on stage, but I’m not playing alone – says drummer Julian Sartorius.
Katalin Károlyi mezzosoprano will give the concerts Human Voice 2.1 and 2.2. The repertoire consists of three contemporary pieces of different kinds.
The ‘outstretched arm‘ says a lot about how contaminated signifiers work, and the interconnections between art and politics in general – says Oliver Zahn.
After the concert, Toshio Hosokawa introduced me to Peter. He knew that I am Noh singer, he said “Please sing my piece Harakiri”.
A Remembrance Mass in the Saint Peter’s Basilica, and artworks by Szentendre artists showcasted in streets surrounding the Campo di Fiori.
A system of multiannual support could sustain independent theatre groups – says Beáta Barda, executive director of the Trafó.
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